One of the biggest USP of Himesh Reshammiya - the composer is the ability to compose CATCHY REPETITIVE HOOKS.

Most catchy mukhda hooks

NAAM HAI TERA TERA and TERA PYAAR PYAAR PYAAR HOOKAH BAR are the MOST CATCHIEST 'repetitive mukhda hooks' of Himesh in the post ABA era.

Most Soulful mukhda hook

The most SOULFUL catchy mukhda hook is AFREEN * 4 in AFREEN from KAJRAARE.

Other catchy mukhda hooks

> O JAANA LOVE U MISS U HAR LAMHA * 2 in ROCKY - THE REBEL.

> AA RE AA RE AA RE from SHABE FIRAQ (CHUP CHUP KE) is another catchy repetitive mukhda hook, especially the HISTORY rising notes RE-EE-EE at 0.41 & 1.16

> TERI YAAD YAAD in VAAH!LIFE HO TOH AISI.

Most intense mukhda hook

The prolonged intense high pitched emphasis hook AHISTA AHISTA * 4 in TUM JOH MILE from AHISTA AHISTA.

Catchy repetitive hooks in stanzas

> PUCHO NA (prolonged desperation emphasis plea hook) in 1st stanza, DEKHO NA (prolonged desperation emphasis plea hook) in 2nd stanza of TERA SUROOR from AAP KA SUROOR.

Most catchy Instrumental Piece

> The most catchiest ever instrumental tune piece in both pre ABA n post ABA is in between 1st stanza gap from 2.50 to 3.14 in ODHNI from TERE NAAM.