Teri Chunariya
The song begins with Alka's melodious vocals especially from 0.04 to 0.06 and she is joined by Sanu in unplugged mode.
Sanu’s line, AAAAAA from 0.28 to 0.29, 1.12 to 1.13, 1.22 to 1.23, 1.47 to 1.48 & 1.57 to 1.58
The peppy underlying beats rather join in suddenly followed by feel good trumpet.
The synthetic piano piece from 0.44 to 0.47 is great build up.
The tune sur in between 0.56 & 1.08, 1.31 & 1.43 is cute.
The matka type effect followed by additional beats from 1.11 to 1.15 & 1.46 to 1.50 gives sahi desired effect.
The bazz trumpet at 1.09, 1.18, 1.44 & 1.54 gives some sike.
The three tabla beats at 1.28 give good intermittent effect.
Between mukhda & 1st stanza, Alka returns with her melodious croons followed by likeable flute.
1st stanza
The pattern is simple and catchy.
The drum beats behind Alka’s melodious vocals in unplugged mode.
Between 1st & 2nd stanza, the traditional drum beat skip represent the traditional out door setting. Such similar drum skip setting was depicted in same spot in songs CHAL SHAADI KAR LETE HAI (KURUKSHETRA) and OODHNI (TERE NAAM). Alka’s and Udit’s croons from 3.41 to 3.47 have feel factor in an otherwise feel good song.
2nd stanza
The pattern is simple and catchy.
The drum beats behind Alka’s melodious vocals in unplugged mode.
The tune from 5.39 to end is likeable
Highlights of this song:
1. Trademark Himesh composition in his early days with word chunariya and Alka-Sanu Jodi.
2. The bazz trumpet, cute tune sur, matka effect, flute piece and drum skip pattern in 1st and 2nd stanza gap.
This gives an impression of a feel good effortless composition by Himesh, at least he makes it look so!
Chandi Ki Daal Par
Himesh makes his mentor sing this ‘matki phod’ song in his bindaas ishtyle that marks the Gokulashtami festival.
The song begins with feel good funky guitar piece along with intermittent peppy finger snaps from 0.07 to 0.13
The quick heavy drum hits from 0.14 to 0.15 give tremendous KICK.
The mast bindaas tapori beats arrive from 0.15 onwards.
The band baja baaraat tune plays from 0.24 to 0.36
Salman’s vocals along with peppy finger snaps and energetic chorus HAAI from 0.38 to 0.43 build up the song.
Salman’s line TAK JHAK TAK in SYNC with heavy drum hits from 0.44 to 0.45 catches the listeners pulse.
The quick drum hits from 0.45 to 0.46 give kick followed by typical Sallu Mia madness antics GEY HUDA at 0.46 that completely get the listeners into da zone.
The mast bindaas tapori beats arrive from 0.47 onwards whereby the listeners themselves swaying away in ecstasy.
Melodious Alka arrives from 0.57 onwards.
Between mukhda & 1st stanza, the southern styled beat pattern from 1.20 to 1.37 joined in with band baja baaraat tune from 1.24 to 1.37, followed by funky feel good guitar piece and quick peppy drum skips from 1.38 to 1.49
1st stanza
The composition pattern is simple on which Salman’s vocals do a competent job.
The intermittent chorus, quick heavy drum hits and trumpet keep the energy levels high.
The best melody is Alka’s lines, CHOORON KO BHI PAR JAATE HAIN MOR * 2 from 2.35 to 2.42
Between 1st & 2nd stanza, the quick raw matka hits alomng with profound heavy drum hits from 3.05 to 3.18 are representative of the climbing on the top process to break the pot, followed by a more mysterious intense tune from 3.19 to 3.42 to depict the urgency, complexity and risk factor involved. The funky feel good guitar piece along with peppy finger snaps after the start-stop gap at 3.43
2nd stanza
The composition pattern is simple.
The intermittent chorus, quick heavy drum hits and trumpet keep the energy levels high.
The best melody is Alka’s lines, PEECHE HATADE APNE KADAM * 2 from 4.29 to 4.35
Salman does a competent job as a singer from 4.36 to 5.01
Highlights of this song:
1. Sallu Mia’s bindaas vocals, with emphasis on his vintage stuff TAK JHAK TAK in SYNC with heavy drum hits that catches the listeners pulse, and his bindaas madness antics GEY HUDA that get the listeners into the zone.
2. Alka’s melodious vocals.
3. Mast bindaas tapori ishtyled underlying beats on which the listener can 'jhoom barabar jhoom' in ecstasy.
4. The funky feel good guitar piece, peppy finger snaps, band baja baaraat tune piece, trumpet piece and peppy whistles.
5. The energetic chorus HAAI.
Tracklist / Backcover
1. Teri Chunariya - Himesh Reshammiya
7. Chandi Ki Daal Par - Himesh Reshammiya
