Both are Himesh's MASTERPIECE hard core Sufi Rwak songs, having certain similarities and trends.
Both have a same underlying beat pattern that gives HALKE SE KICK. The most hard core Sufi Rwak underlying beat used by Himesh is the underlying synth beat pattern in KOLA LAKA VELLARI n AHISTA AHISTA TITLE TRAX which gives halke se kick to the listener. Beats don't get more hard core sufi rwak than this!
Both show Himesh's LOWER BAZZ OCTAVE in the beginning / at start:
> Himesh's lines, YAADON KI PARCHAIYAAN TANHAIYAAN TUMSE HI HAI * 3 from 0.15 to 0.42 in AHISTA AHISTA TITLE TRAX.
> Himesh's lines, TUJHE YAAD KARKE MUJHE CHAIN AAVE MERE JAANIYA VE from 0.26 to 0.42 in KOLA LAKA VELLARI.
Followed by fulltu high-pitched singing:
> From 1.06 to 1.08, 1.39 to 1.42 & 1.54 to 1.57 in AHISTA AHISTA TITLE TRAX.
> From 0.46 to 0.57, with emphasis on line jaa-NIYAVE (OFF-DA-HOOK FULLTU) from 0.55 to 0.57 in KOLA LAKA VELLARI.
Both have intermittent HEAVY instrumental orchestration used for KILL effect:
> From 4.14 to 4.15 (OFF-DA-HOOK) & 4.29 to 4.30 (gives KICK) in AHISTA AHISTA TITLE TRAX.
> From 3.37 to 3.38 (OFF-DA-HOOK quick bounce effect) & from 5.18 to 5.20 (gives HELL LOT OF SIKE) in KOLA LAKA VELLARI.