These are the ultimate best compositional notes of Himesh - the post ABA composer which are topped off with his own vocals to give that maximum melody impact.

> His line in 2nd stanza, SILSILA HAI (OFF-DA-HOOK fulltu high pitched desperation plea vocals) from 4.36 to 4.38, DARDE (vocals get listener into da zone) from 4.38 to 4.39, AAP NEEAAAA (HISTORY vocal n instrumental KILL effect with additional beats) from 5.33 to 5.35 in AASHIQ BANAYA AAPNE TITLE TRAX.

> His lines, TANHA RAATEEEE (terrific twist) EEIN from 2.22 to 2.23, IS DARD KA (terrific sooth feel) EHSAAS PUCHO NA (HISTORY composition notes) from 3.03 to 3.07 in 1st stanza, RAB HI JAANE (profound middle octave impact vocals) YE PYAAS KAISI HAI (HISTORY composition notes) from 4.18 to 4.22 in 2nd stanza, TERA (OFF DA HOOK vocals) at 4.16 in TERA SUROOR from AAP KA SUROOR.

> His line, KHWAHISH (HISTORY fulltu high pitched) from 2.19, YEEEEE (gradual voice rise) EEE (voice shake with echo effect) from 2.32 to 2.38 & 4.03 to 4.08, DIL KI - IIIIIIII (HISTORY fulltu high pitch) from 2.39 to 2.41 & 4.10 to 4.12 in NAAM HAI TERA from AAP KA SUROOR.

> His line, jaise dil DE - KHEEEN (HISTORY sudden abrupt high pitched vocals with an ADDITIONAL WHEEZ) from 3.05 to 3.06 & 4.31 to 4.32 in CHAHE GILA KARO from AAP KA SUROOR.

> His line, AAJA AAJA AAJA (OFF-DA-HOOK high-pitched desperation plea, vocal kill effect) from 4.19 to 4.21 with semi-plugged beats in JHALAK DIKHLAKA from AKSAR.

> His line, AB (OFF-DA-HOOK fulltu) at 1.15 &  4.48, TANHAAAAAAA (prolonged) from 4.49 to 4.51, AAA (HISTORY quick up down twist, pours his heart out) AAA from 4.52 to 4.53 in DIL TUMHARE BINA from 36 CHINA TOWN.

> His line, KAAR (OFF-DA-HOOK quick emphasis twist) GAYEEE (OFF-DA-HOOK soothing feel) from 2.48 to 2.50, KAAR (OFF-DA-HOOK quick emphasis twist) GAYEEE (OFF-DA-HOOK middle octave impact vocals) from 4.16 to 4.18, KAAR (OFF-DA-HOOK quick emphasis twist) GAYEEE (OFF-DA-HOOK soothing feel vocals with echo effect) from 6.30 to 6.32 & 6.38 to 6.42 in TUM SAANSON MEIN from HUM KO DEEWANA KAR GAYEE.

> His lines, RE - EE -EE (CATCHY rising notes) from 0.41 to 0.42 & 1.16 to 1.17, AAA (OFF-DA-HOOK catchy) at 1.08 just bowls over da listener in SHABE FIRAQ from CHUP CHUP KE.

> His lines, PARCHAIYAAAAAAA (catchy prolonged vocals) from 0.24 to 0.25, AAAA (HISTORY abrupt low twist) at 0.26, TANHAIYAAN (MAXIMUM lower octave with vocal depth, awaaz meh gehraayi) from 0.28 to 0.30, TUM (OFF-DA-HOOK fulltu high-pitched, dil ki pukar) from 1.39 to 1.40, CHAAHATON KA (terrific desperation plea) from 4.07 to 4.09, KHWAHISHON KA (fulltu highpitch, fully expresses himself) from 4.15 to 4.17, YEH JOH KAAFILA HAI (terrific passionane emphasis vocals) from 4.18 to 4.20,TERI ANJUMAAN HAI (catchy middle octave impact vocals) from 4.24 to 4.25, HAI - AI (HISTORY higher note abrupt leave) from 4.24 to 4.25, HUE (HISTORY raw casual ustad singing, gives KICK) at 4.58 in AHISTA AHISTA TITLE TRAX.

> His line, DHADKAN (HISTORY singing) from 3.46 to 3.47, TUJH SE HI DIL KI LAGI (HISTORY middle octave impact vocals that connect) from 3.57 to 3.59, TERE BINA (HISTORY middle octave impact vocals) from 4.18 to 4.20 in O JAANA LOVE U MISS U from ROCKY - THE REBEL.

> His BUILD UP line HAAAAIIIIIIIII (prolonged feel twist whereby Himesh literally pours his heart out) from 1.03 to 1.06, followed by line, chahe joh HOOOOOOOOOO (off-da-hook prolonged slow dying/fading KILL effect) from 1.09 to 1.13, AF - REEEEN (off-da-hook fulltu high-pitched) from 3.03 to 3.04 & from 4.39 to 4.40 in AFREEN TERA CHEHRA from RED - THE DARK SIDE.

> His mukhda lines, DILE BEKARAAR (terrific twist) from 1.11 to 1.13, MERE DILE BE (OFF-DA-HOOK fulltu sudden high-pitched voice rise) KARAAR from 1.28 to 1.33 on typical unique HR melody in YAHI HOTA HAI PYAR from NAMASTEY LONDON.

> His line, TERE BAGAIR * 2 (HISTORY typical unique HR melody) from 0.42 to 0.47 & 1.16 to 1.20 in TANHAIYAAN from AKS - THE MOVIEE.

> His line, TERE BAGAIR (HISTORY vocals) from 1.18 to 1.20 strikes a chord, connects big time and gives pinching sensation (chubban ka ehsaas) in TANHAIYAAN UNPLUGGED from AKS - THE MOVIEE.

> His line, AAYE SUKU NA AAAAAYEEEE (terrific prolonged sooth feel twist) from 1.18 to 1.22 & 1.39 to 1.43 in unplugged mode along with an OFF-DA-HOOK beat pattern from 1.20 to 1.22 & 1.41 to 1.43 that delivers da KILL/COMPLETENESS effect in TANHA JIYA NA JAAYE from TOM DICK N HARRY.

> His lines, TERA YAKEEN LE CHALA MUJHE (HISTORY) from 3.00 to 3.02 & JAAYE YAHAAN SE MERA SAFAR (HISTORY) from 3.58 to 4.00 that deliver vocal kill effect, connect emotionally and win over da listener, JAANE KAHAAN (OFF-DA-HOOK fulltu high-pitched) from 4.14 to end with an additional wheez in TERI MERI DOSTI KA AASMAAN from RADIO.

> His line, KARADE (off-da-hook desperation plea vocals) from 1.57 to 1.58, MAAHIYA SE DEEDAR KARADE (terrific passionate desperation plea) from 3.24 to 3.26 in RABBA LUCK BARSA from KAJRAARE.

> His line, WOO OOOW (OFF-DA-HOOK high pitched) from 1.03 to 1.05 & 1.33 to 1.35 in MANGO from DAMADAMM.

> His line, MERI JAA-AA-AA-AA-NNNN (killer soulfful croon) from 1.08 to 1.18 & 1.50 to 1.58 in HUM TUM TRAIN KI from DAMADAMM.