Chal Shaadi Kar Lete Hai - Kurukshetra (2000)
HISTORY musical piece with an inherent twist that gives HALKE SE KICK along with traditional drum skips from 1.26 to 1.33
Yeh Ladki - Maine Pyar Kyun Kiya (2005)
OFF-DA-HOOK instrument/guitar tune with quick twist at 1.52 & 3.03
Chura Liya Hai Tumne Title Trax (2003)
Awesome rising keyboard pattern from 1.10 to 1.33
Quick keyboard flick followed by 1 bazz trumpet hit that gives SIKE from 1.23 to 1.24
TERRIFIC 2 key tune sur from 1.37 to 1.38 & 4.38 to 4.39
OFF-DA-HOOK oriental flute and matka beat effect from 2.30 to 2.32 & 3.50 to 3.52
Dil Mein Jo Baat Hai - Run (2004)
CATCHY funky guitar piece from 1.34 to 1.44 & 3.34 to 3.42
The awesome fading tune effect from 3.31 to 3.33
Oodhni - Tere Naam (2003)
HISTORY music piece from 2.49 to 3.13
OFF-DA-HOOK quick synthetic piano piece in SYNC with quick drum hits from 3.21 to 3.22
HISTORY jingle chime effect at 3.24 & 3.26 when heard in overall context of Alka's associated lines.
HISTORY traditional flute from 3.29 to 3.31
The TERRIFIC tune with emotional feel wins over the listener from 4.56 to 5.04
The synthetic piano piece from 5.08 to 5.09 & 5.16 to 5.17 gives HALKE SE KICK when heard in overall context from 5.06 to 5.17
Dil Se Juda Ehsaas - Taarzan (2004)
OFF-DA-HOOK heavy techno bazz beat along with computerized phone line tone in unplugged mode from 4.46 to 4.48
The TERRIFIC SYNC COMBO of rising 3 key tune and rising male croons at 4.53
Teri Yaad - Vaah!Life Ho Toh Aisi (2005)
HISTORY ONE KEY HIT at 1.54 when heard in context of overall mukhda line/s.
The HISTORY continuous tune sur from 2.47 to 2.48 & 4.04 to 4.06 along with KK's stanza lines.
Chura Lo - Taarzan (2004)
The TERRIFIC desperation feel female croons from 3.30 to 3.32 that threaten to connect with inner soul of listener.
Dheere Dheere - Yeh Hai Jalwa (2002)
The COMBO SYNC of high-pitched passionate emphasis male treble vocals and tune keys from 0.04 to 0.05 & 5.06 to 5.07 to give HISTORY OVERALL SOUND EFFECT.
Lutf De Gayi - Ishq Hai Tumse (2003)
The CATCHY harmonica theme piece pattern from 0.38 to 0.48 gets penetratingly heavy upon the listener, with emphasis on the TERRIFIC merger of vocal and tune from 0.38 to 0.40
Yeh Dil Toh - Dil Ne Jise Apna Kaha (2004)
The TERRIFIC synthetic instrument from 1.02 to 1.04, 1.37 to 1.40, 2.51 to 2.53 & 4.17 to 4.19 that gives the complete effect to vocal lines.
The awesome harmonica tune from 2.27 to 2.30 behind Alka's lines.
The TERRIFIC tune sur from 2.38 to 2.41 behind Alka's lines.
The awesome key flicks at varying notes from 3.52 to 4.01 behind Sonu's lines.
The HISTORY bazz trumpet tune sur from 4.03 to 4.11 behind Sonu's lines.
Lagne Lage Ho - Kuch Meetha Ho Jaaye (2005)
The TERRIFIC synthetic harmonica tune from 2.05 to 2.07
The TERRIFIC tune sur from 2.08 to 2.09 & 3.37 to 3.38
Deewanapan - Main Aisa Hi Hoon (2005)
The TERRIFIC bazz trumpet with emotional feel from 1.19 to 1.20, 2.00 to 2.01, 3.15 to 3.16 & 4.58 to 4.59
Raat Hai Soyi - Main Aisa Hi Hoon (2005)
The awesome raga tune piece that emotionally connects from 0.41 to 0.48, 1.13 to 1.16 & with emphasis from 1.20 to 1.23 (TERRIFIC).
Teri Galiyon Se - Main Aisa Hi Hoon (2005)
The TERRIFIC quick fluctuating raga instrument from 5.36 to 5.37 behind Sunithi's unplugged lines to give overall HISTORY effect.
The CATCHY repetitive theme piece from 1.50 to 1.58, 2.28 to 2.32, 3.06 to 3.10, 4.06 to 4.10 & 5.38 to 5.43
Aadat Ho Chuki - Koi Aap Sa (2005)
The OFF-DA-HOOK techno instrument from 1.36 to 1.38, 2.09 to 2.11, 3.32 to 3.34 & 4.55 to 4.57 which is like heavy duty machinery in a manufacturing plant, blast furnace or a roller blade that rotates & makes a whooshing sound when an attached string is pulled with mighty force! It sets the adrenaline flowing.
The bazz trumpet hits from 1.54 to 2.04 & 4.42 to 4.50, with emphasis on 1 hit at 1.55 that gives HELL LOT OF SIKE & the half-note at 2.01 & 4.47 that gives key overall effect.
Kabhi Na Sukoon Aaya - Koi Aap Sa (2005)
The awesome tune from 1.10 to 1.11
The beat effect in unplugged mode from 1.34 to 1.36, 4.02 to 4.03 & 5.25 to 5.26 that compliments Udit's lines to emotionally connect with the listener.
Tune Mujhko - Yakeen (2005)
The bazz trumpet from 1.44 to 1.46 that wins over the listener.
The cute jingle instrument along with Alka's lines from 5.47 to 5.50, with emphasis on 5.48 to enhance the overall melodious effect.
Hum Tumse Dil - Julie (2004)
The TERRIFIC raga instrument tune from 1.40 to 1.41, 3.29 to 3.30 & 5.25 to 5.26
Aakhiyaan Lada Jaa - Blackmail (2005)
The AWESOME oriental flute from 1.00 to 1.21, with emphasis from 1.08 to 1.10 & 1.18 to 1.20 (mesmerizing).
Between 1st & 2nd stanza, a feel good trumpet piece (giving a feeling of dining in a 5 star restaurant) plays giving a subtle laidback mood. Note the quick rising keyboard flick (used often in pre-ABA songs) from 4.17 to 4.18 followed by the build up until 4.27. Now note the 2nd quick rising keyboard flick at 4.28 (TERRIFIC completion of instrumentation build up in the MANNER in which the QUICK RISING KEYBOARD FLICKS are used, HATS OFF).
Chunari - Insan (2005)
The MAJESTIC chime effect from 0.29 to 0.31
The computerized groovy vocals followed by kickass drum-roll beats from 0.59 to 1.01
Is Tarah Deewane - Insan (2005)
The TERRIFIC tune sur from 2.27 to 2.29 & 3.46 to 3.48 that gives TERRIFIC overall effect along with vocals.
Sarke Chunariya Re - Run (2004)
The quick tune keys from 2.44 to 2.46, 2.52 to 2.54, 4.25 to 4.27 & 4.33 to 4.35 give HELL LOT OF SIKE.
Nahi Hona - Run (2004)
The AWESOME traditional drum hit pattern from 1.43 to 2.10 that gives some KICK.
The CULT catchy Rajasthani theme piece from 3.22 to 3.31
Maine Chun Liya - Dil Mange More (2005)
The combo of heavy tabla & drum beat pattern comprising of 8 light tabla hits followed by 8 heavy drum hits from 0.49 to 0.51, 1.08 to 1.10, 2.54 to 2.56 & 4.46 to 4.48 that give KICK.
TERRIFIC tune from 1.56 to 1.57 & 3.48 to 3.49
TERRIFIC tune sur from 1.59 to 2.03
MESMERIZING cute tune from 2.22 to 2.24 & 4.14 to 4.15
TERRIFIC raga tune sur from 3.51 to 4.00
Belibaas - Silsilay (2005)
The BEAT EFFECT from 0.15 to 0.17, 0.56 to 0.58, 1.21 to 1.23, 3.03 to 3.05 & 4.45 to 4.46 gives KICK in the manner/pattern that it hits.
The AWESOME feel good catchy tune pattern from 0.17 to 0.29
The COMBO of MAJESTIC vocals plus ETERNAL techno whoosh sound effect from 1.17 to 1.20, 2.58 to 3.02 & 4.40 to 4.44 is a doorway straight to HEAVEN and truly a DIVINE experience.
The AWESOME catchy new-age tune pattern from 1.31 to 1.46
Tere Naam Female - Tere Naam (2003)
The TERRIFIC repetitive flute piece pattern from 1.21 to 1.26
The TERRIFIC tune from 1.30 to 1.32 and the HISTORY tune from 1.35 to 1.38
The HISTORY music piece from 4.24 to 4.51 along with heavy traditional tabla hits in sync, with emphasis on high-pitched desperation emphasis lines TUU at 4.34 & 4.48
Janam Tere Liye - Kurukshetra (2000)
The starting groovy piece along with a harmonica tune until 0.20, followed by a techno sound from 0.21 to 0.24, followed by an ear-splitting whoosh sound from 0.25 to 0.26, followed by theme piece tune, followed by underlying beats is TERRIFIC instrument build up.
The theme piece tune in unplugged mode from 5.11 to end gives HELL LOT OF SIKE.
Tala Tum - Aaitraaz (2004)
The continuous faint tune sur from 1.55 to 1.59, 3.07 to 3.11 & 5.44 to 5.48 given behind Alka's lines to give a SUPER MELODIOUS OVERALL EFFECT.
Tara Ram Pum - Aabra Ka Dabra (2004)
The MESMERIZING harmonica piece from 2.12 to 2.21 & 3.36 to 3.45
The AWESOME jingle tune sur keys along with TERRIFIC continuous faint tune sur from 2.52 to 3.00 & 4.26 to 4.33
O Jaane Jigar - Yeh Hai Jalwa (2002)
The AWESOME tabla beat pattern that gives sahi desired effect from 1.39 to 1.41, 2.02 to 2.04, 3.19 to 3.21, 3.43 to 3.45, 5.17 to 5.18 & 5.40 to 5.41
The AWESOME bansuri piece from 2.10 to 2.20
The HISTORY classical sitar piece that gets hold of the listener's classical pulse from 4.20 to 4.28 & 5.43 to 5.46
The HISTORY male treble vocals from 5.47 to end.
Chudi Khankayi Re - Yeh Hai Jalwa (2002)
The AWESOME quick grand trumpet between 0.55 & 1.01, 1.29 & 1.36, 3.09 to 3.15, 4.42 to 4.49 gives KICK.
The HISTORY male desperation vocals from 5.08 till end, with emphasis from 5.11 to 5.12 (uffff).
Chammiya - Dulhan Hum Le Jaayenge (2002)
The OFF-DA-HOOK combo of energetic chorus in SYNC with traditional drum beat skips from 2.13 to 2.15, 2.17 to 2.19, 4.11 to 4.13 & 4.15 to 4.17 that gets the listener estatic.
Chain Ho - Run (2004)
The AWESOME synthetic piano piece (just listen to its TONAL QUALITY!) from start to 0.04 & 3.12 to 3.16
Na Na Na Re - Bardaasht (2004)
The AWESOME oriental flute piece followed by naughty chorus/vocals followed by feel good harmonica piece from 1.20 to 1.44
The OFF-DA-HOOK drum hit pattern from 1.19 to 1.20, 1.45 to 1.46, 2.29 to 2.30 & 2.58 to 2.59 as if the musician was testing it out.
The TERRIFIC gradually descending continuous tune sur from 1.56 to 2.03 & 3.08 to 3.15
Ki Kara Duet - Nigehbaan the 3rd Eye (2005)
The OFF-DA-HOOK techno bazz instrument from 0.06 to 0.11 & 0.48 to 0.50
The AWESOME harmonica piece along with varying beat effect from 1.27 to 1.48
The AWESOME repetitive tune sur from 2.10 to 2.20 & 3.45 to 3.55
Aashiq Banaya Aapne Title Trax (2005)
The OFF-DA-HOOK string based techno bazz instrument from start to 0.05, 1.00 to 1.03 & 5.21 to 5.23 &5.53 to end that gives SIKE and whose greatness can never be understood.
The AWESOME synthetic techno instrument from 3.08 to 3.27 & 4.42 to 5.00
The HISTORY beat effect from 5.31 to 5.33 behind HR's line NEEE
The TERRIFIC bazz trumpet between 5.33 & 5.52 along with HR's line TERE BIN that gives SIKE.
Aap Ki Kashish - Aashiq Banaya Aapne (2005)
The OFF-DA-HOOK heavy beat effect from 0.47 to 0.49 & 3.47 to 3.48
The OFF-DA-HOOK metal guitar that breezes/roars in between 1.15 & 1.30, 2.35 to 3.05 & 4.41 to 4.51
Between mukhda & 1st stanza, a stunning pleasant ear-splitting instrument gradually grows upon the listener from 1.35 to 1.39, giving an experience of unique sound of unexplored planets whereby lava flows over molten crust or a comet in space (INCREDIBLE OUT-OF-DA-WORLD experience).
Between 1st & 2nd stanza, a stunning instrument kicks in from 3.06 onwards as if the listener is in mercury, and from 3.14 to 3.18 is as if the fingernail taps/hits a hard surface like a ice slab many times (INCREDIBLE OUT-OF-DA-WORLD experience).
The OFF-DA-HOOK heavy sufi-rwak instrument from 2.32 to 2.33 & 4.38 to 4.39
Dilnashee - Aashiq Banaya Aapne (2005)
The OFF-DA-HOOK cutting edge techno instrument/piece from 1.01 to 1.04, 1.08 to 1.10, 1.52 to 1.53, 1.57 to 1.58 & 2.33 to 2.50
Dil Hai Mera - Chura Liya Hai Tumne (2003)
The melodious desperation feel female vocals along with killer male sighs from 3.44 to 4.05
Meethi Meethi Baatan - Aap Ki Khatir (2006)
The AWESOME rising 3 key raga tune sur from 0.57 to 0.58, 1.33 to 1.34, 3.14 to 3.15 & 5.06 to 5.07
The TERRFIC string based raga tune pattern from 1.57 to 2.18, with emphasis at 2.04 & 2.15
Aap Ki Khatir Title Trax (2006)
AAP KI, from 3.15 to 3.17 (KILLER COMPUTERIZED HR Vocals) along with ghungroo effect.
KHATIR, from 3.18 to 3.20 (OFF-DA-HOOK COMPUTERIZED HR vocals) along with ghungroo effect.
The VERY LAST piano key at 3.32 is actually delayed between the guitar beats, great TIMING in context of whole piano piece from 3.25 to 3.32
Dil TumHare Bina - 36 China Town (2006)
The OFF-DA-HOOK random drum beat pattern from 2.18 to 2.20 that gives ek dum SAHI TIMING.
Zara Jhoom - Tom Dick N Harry (2006)
The sharp quick beat effect as if a hammer is hit repetitively on a nail from 3.04 to 3.06 that gives KICK.
Dil Naiyo Maane Re - Phir Hera Pheri (2006)
The AWESOME raga tune from 1.18 to 1.21, 1.38 to 1.41, 2.31 to 2.34 & 3.59 to 4.02
The TERRIFIC raga tune piece from 3.14 to 3.24
Mundeya - Shaadi Se Pehle (2006)
The AWESOME catchy synthetic tune pattern in unplugged mode from 0.06 to 0.24 that builds SIKE.
The AWESOME beat effect from 2.03 to 2.04 & 3.22 to 3.23
The AWESOME groovy tune pattern from 2.58 to 3.16
From 3.53 to 3.54, behind mahiyAAAAAAAAAA (prolonged voice deepening plus end dying effect) after which the sharp CALYPSO beat keeps getting heavy in unplugged mode followed by heavy BAZZ sound hits from 3.55 to 3.57 for the build-up part.
The OFF-DA-HOOK KILL EFFECT happens from 3.58 to 3.59, when 2 sets of quick 2 HEAVY DHOL/DRUM beats HIT IT.
Aakhiyon Se Gal - Shaadi Se Pehle (2006)
The seductive groovy high rising female croons from start to 0.26 is TERRIFIC build up followed by KILL EFFECT of underlying beats.
The TERRIFIC semi-plugged beat skips along with underlying bazz sound and energetic male vocals from 0.56 to 1.00, 1.25 to 1.29, 1.50 to 1.53, 2.57 to 3.00 & 3.55 to 3.58 followed by full rwaking beats along with vocals gives KICK.
The TERRIFIC female croons from 3.39 to 3.41
Jhalak Dikhlaja - Aksar (2006)
The semi-plugged beat skip from 4.19 to 4.21 for HR to croon his 3rd AAJA (HISTORY desperation plea).
The MAST JHAKASS fast drum-roll beats from 1.15 to 1.17, 2.33 to 2.35, 3.17 to 3.19, 3.42 to 3.44 & 4.21 to 4.23 give KICK.
Soniye - Aksar (2006)
The AWESOME beat skip along with tabla pattern from 2.30 to 2.38 behind vocals when heard in overall context of the song.
The AWESOME continuous computerized phone line tone pattern.
Ahista Ahista Title Trax (2006)
The string based instrument from 1.29 to 1.39 gives SIKE.
The heavy beat effect from 4.14 to 4.15 behind HR's vocals KHWAHISHON KA drives the listener BERSERK.
The HISTORY Arabian rising tune sur from 4.58 to 5.00 when heard in context of associated lines.
Ishq Ne Tere - Ahista Ahista (2006)
The CLASSICAL OFF-DA-HOOK quick tabla beat pattern that gets lighter to heavier from 1.20 to 1.07, 1.35 to 1.39, 3.27 to 3.31 & 5.02 to 5.07
Love You Unconditionally - Ahista Ahista (2006)
The male haunt vocals and AWESOME string based instrument along with HR's catchy passionate feel croons from 3.03 to 3.33
Tum Jho Mile - Ahista Ahista (2006)
The AWESOME RAGA tune from 0.54 to 1.13 & 4.39 to 4.48, TERRIFIC from 1.06 to 1.07
Tanha Tere Bagair - Ahista Ahista (2006)
The AWESOME groovy tune pattern from 2.07 to 2.24
The heavy beat hits at 2.26 & 3.48
The TERRIFIC bazz trumpet tune sur in between 2.31 & 3.08, 3.53 & 4.25 that gives KICK.
The wicked male vocals along with SHARP beat effect from 3.21 to 3.37
Saanwariya (No Way) - Anthony Kaun Hai (2006)
The OFF-DA-HOOK female oriental croons along with remix beat effect from 2.30 to 2.49
Ishq Kiya Kiya - Anthony Kaun Hai (2006)
The MAST JHAKASS fast drum-roll beats that give KICK from 0.53 to 0.55, 1.20 to 1.22, 2.38 to 2.40 & 4.04 to 4.06 along with HR's high-pitched passionate emphasis line MAINE.
Oh Nenjil Dola - Bomalattam (2007)
The TERRIFIC string based instrument with inherent twist from start to 0.10, followed by TERRIFIC raga tune with echo effect from 0.11 to 0.13, followed by catchy guitar piece until 0.23
Va Va Thalaiva - Bomalattam (2007)
The OFF-DA-HOOK beat pattern from 4.46 to end whereby the intermittent bazz trumpet hits give HELL LOT OF SIKE.
Dil De Dia - Phir Hera Pheri (2006)
The WICKED rap by Arya along with OFF-DA-HOOK beats from 4.17 to 4.33 drive the listener BERSERK.
Tere Layee - Fool N Final (2007)
An AWESOME heavy DRUM beat hits just once at 1.59, followed BY AWESOME AFRICAN female vocals AAIIYAYAYAYAA (great), followed by AWESOME new age synthetic instrument with a wheezing sound and CD spins from 2.03 to 2.05
Between 1st & 2nd stanza, female vocal croons of AAAAAAA followed by OFF-DA-HOOK wicked synthetic instrument from 3.25 to 3.28 followed by a heavy drum hit, followed by a catchy techno tune that gives SIKE like nobody's business. The rapper croons, shake that booty (yeah mate thats what you do in da nytclub), the heavy drum hits 1 time again at 3.36, followed by the underlying beats that hit it and the rapper laughes. This is OFF-DA-HOOK CULT STUFF here, until 3.43, heavy DRUM hits 1 more time.
Sigdi - Fool N Final (2007)
The OFF-DA-HOOK dhol beat pattern from 3.26 to 3.56
Mile Ho Tum To - Dil Diya Hai (2006)
The guitar piece followed by highest pitch groovy tune at 0.02, followed by same guitar piece and lower pitch groovy tune at 0.04, followed by same guitar piece & lowest pitch groovy tune at 0.08, followed by 3 quick flick of guitar strings at 0.10, AWESOME OVERALL EFFECT.
The MESMERIZING cute flute piece from 0.13 to 0.26 that frankly speaking just wins over the listener and makes him give in /submit to it, especially at 0.18 and 0.25
The OFF-DA-HOOK beat effect from 1.21 to 1.23, 2.04 to 2.06, 3.24 to 3.26 & 4.38 to 4.40 followed by quick beat pattern and breezing metal guitar.
Samjho Na - Aap Ka Suroor (2006)
The TERRIFIC emotional raga tune from 1.56 to 2.05 & 3.43 to 3.51 along with HR vocals
The painfully sad raga tune along with beat skip effect from 2.20 to 2.40 & 4.08 to 4.34
Afsana Banake - Dil Diya Hai (2006)
The AWESOME beat effect from 0.49 to 0.50, 1.51 to 1.52, 2.50 to 2.51, 3.18 to 3.19, 4.06 to 4.07 & 4.33 to 4.34
The OFF-DA-HOOK beat skip pattern from 1.18 to 1.24, 1.59 to 2.05, 3.30 to 3.37 & 4.46 to 4.52
The AWESOME beat effect from 1.25 to 1.27, 2.06 to 2.08, 3.38 to 3.39 & 4.53 to 4.55 that gives some kick.
Yeh Veeraniyan - Namastey London (2007)
The OFF-DA-HOOK metal guitar piece from 3.46 to 4.02
Main Jahan Rahu - Namastey London (2007)
The TERRIFIC raga tune from 1.25 to 1.27
Rafta Rafta - Namastey London (2007)
The OFF-DA-HOOK cult Punjabi instrument from 0.16 to 0.25, 2.32 to 2.33, 2.42 to 2.43, 3.16 to 3.20, 3.35 to 3.36, 3.45 to 3.46 & 4.37 to 4.39
Yahi Hota Hai Pyar - Namastey London (2007)
The AWESOME beat effect from 1.21 to 1.23, 3.19 to 3.21 & 5.46 to 5.48
The AWESOME faint continuous tune sur from 1.23 to 1.54, 3.21 to 3.52 & 5.48 to 6.18
The TERRIFIC raga tune from 1.47 to 1.49, 3.44 to 3.46 & 6.11 to 6.13 to give the complete effect to vocals.
Oh Jaana Love U Miss U - Rocky (2006)
The AWESOME drum beat pattern 1.22 to 1.25 & 4.26 to 4.29
The AWESOME violin tune sur from 0.52 to 0.54, 1.08 to 1.10, 1.26 to 1.28, 4.12 to 4.14 & 4.30 to 4.37 that gives completeness effect to HR's vocals.
The AWESOME guitar riffs / plucks from 1.37 to 1.38, 1.48 to 1.49, 1.51 to 1.52 & 1.58 to 1.59
The AWESOME extended well structured and thought out flute piece from 2.59 to 3.20 which was also similarly used at start of KESARIYA from NANHE JAISELMER.
Lets Rock - Anthony Kaun Hai (2006)
The CATCHY quick tune pattern followed by beats from 3.48 to 4.03 to give a combined RWAKING effect.
Bhangra Paale - Anthony Kaun Hai (2006)
The AWESOME cult oriental flute piece pattern in between 0.25 & 0.58, 1.43 to 1.51, 2.25 to 2.34, 2.45 to 2.50, 3.53 to 3.57 & 4.08 to 4.12
The catchy synthetic tune (with awesome TONAL QUALITY) from 1.01 to 1.20, 1.53 to 2.01, 3.12 to 3.21, 4.34 to 4.43 & 4.56 to 5.05
The AWESOME drum roll beats from 1.21 to 1.22, 2.03 to 2.04, 3.22 to 3.23, 3.37 to 3.38& 4.44 to 4.45 & 5.06 to 5.07
Tadap Tadap - Darling (2007)
The AWESOME repetitive piano keys from 0.51 to 0.56
The AWESOME cute tune from 1.21 to 1.24 & 1.39 to 1.40
The AWESOME repetitive intermittent drum hits from 1.41 to 2.01, 2.24 to 2.44, 3.55 to 4.15, 5.36 to 5.45 & 6.09 to 6.29 along with underlying beats and HR's vocals.
Afreen - Red (2007)
The AWESOME synthetic instrument in unplugged mode from 1.49 to 1.56 which is the build up part followed by OFF-DA-HOOK quick heavy beat effect from 1.56 to 1.57 which is the KILL effect.
Koi Tumsa - Dashavatar (2008)
The OFF-DA-HOOK cult western rap vocals doing an indian classical stuff that give KICK and SIKE from 5.15 to end.
Om Namo Nayaran - Dashavatar (2008)
The OFF-DA-HOOK beat skip pattern followed by quick heavy hits from 0.49 to 1.09, 1.49 to 2.09 & 3.53 to 4.02 along with male classical haunt vocals gives SIKE, with emphasis on the BEAT SKIP at 0.51, 0.56, 1.01, 1.06, 1.52, 1.57, 2.02, 2.07, 3.56 & 4.01
The male classical haunt vocals followed by traditional flute followed grand instrument sound followed by groovy sounds from 2.13 to 2.30, whereby the key is the build up of groovy subtle instruments, vocals and flute 'before and after' the SUDDEN impact with the grand instrument in between.
This song has the best "GRAND" orchestration that does full justice to a MAGNUM OPUS project.
Lut Jaun - Karzzzz (2008)
The underlying lounge beat fades away with a dying effect and the unplugged SHARP beat with an OFF-DA-HOOK pattern along with bazz sound HITS IT real good from 3.25 to 3.40
The AWESOME drum beat pattern followed by 1 hard beat from 2.10 to 2.13, 4.05 to 4.08 & 4.32 to 4.35
Tandoori Nights - Karzzzz (2008)
The AWESOME fast drum-roll beats in unplugged mode from 1.32 to 1.33, 2.52 to 2.53 & 4.23 to 4.24
The AWESOME tune piece along with feel good naughty female vocals from 3.22 to 3.39
Soniye Je Tere - Karzzzz (2008)
The OFF-DA-HOOK repetitive heavy 4 beat effect in between 0.30 & 1.09, 1.54 & 2.00, 3.13 to 3.19 & 4.30 to 4.45 along with subtle fast faced tabla beats.
Mann Ka Radio - Radio (2009)
From 1.29 to 1.43, mann ka radio, NORMAL BAZZ SOUND NOTE, bajne de zara, HIGHER BAZZ SOUND NOTE, gam ko bhul kar, NORMAL BAZZ SOUND NOTE, jeele tuh zaara, HIGHER BAZZ SOUND NOTE, station koi naya, NORMAL BAZZ SOUND NOTE, tune kar le tuh zara, HIGHER BAZZ SOUND NOTE, fulltu attitude, HIGHER BAZZ SOUND NOTE, dede tuh zara.
These VARIATIONS in the BAZZ GUITAR NOTES are the KEY.
From 1.45 to 2.00 & 3.46 to 4.01, additional sharp beat joins in, just like hitting an ICE SLAB WITH A HARD HAMMER.
From 2.01 to 2.04, OFF-DA-HOOK wicked rebel BAZZ sound in unplugged mode plays giving sike.
Koi Na Koi Chahe - Radio (2009)
The sarangi instrument tune is HISTORY from 0.24 to 0.29, 0.34 to 0.38 & 1.28 to 1.33 which hits 6 times in sets of 2 hits whereby the last 2 hits give history instrument effect in terms of TONAL QUALITY.
O Makhna Ve - Taarzan (2004)
From 1.14 to 1.17, 1.42 to 1.44, 2.49 to 2.51 & 3.52 to 3.54 the fast paced drum beats just HIT IT (great SIKE and ADRENALINE flowing) followed by the naughty cheeky female & male chorus that close in an abrupt manner that drives the listener crazy.
Ooh La La Re - Taarzan (2004)
The CATCHY grand trumpet piece from 0.56 to 1.05
Dil Hai Mera - Chura Liya Hai Tumne (2003)
The KILLER desperation plea vocals from 3.48 to 3.50 & 3.59 to 4.01
Ishq Hai - Anjaane (2005)
The MESMERIZING pleasant traditional flute piece from 0.20 to 0.30 & 2.24 to 2.34
Kola Laka Vellari - Welcome (2007)
HR used TWO unique xclusiv OFF-DA-HOOK heavy instruments at 0.25 (4 times, HISTORY), 0.44 to 0.45 (2 times), 0.57 to 0.58 (2 times), 1.41 (2 times), 1.58 to 1.59 (3 times), 2.11 (2 times), 2.28 to 2.29 (2 times), 2.46 (2 times), 2.59 (2 times), 3.07 (4 times), 3.24 to 2.25 (3 times), 3.37 to 3.38 (4 times, HISTORY), 4.04 (2 times), 4.21 (2 times), 4.34 (2 times), 4.42 to 4.43 (4 times) & 5.18 to 5.20 (4 times)
The greatness of 2 instruments is one aspect but how HR has used them in the 'right' places to give the sahi effect is the winner in this song. He 'hits it' when it is exactly desired to be 'hit'. It is all about the TIMING of these 2 instruments.
History happens when the heavy sufi rwak instrument (whose greatness can never be understood) delivers the kill effect from 0.25 to 0.26, which can 'only' be enjoyed in total context of the overall lines from 0.09 to 0.26, as if the listener is waiting for that effect, which is like of heavy machinery equipment dropping from a height and bouncing off the ground back n forth.
Between 1st & 2nd stanza, a new age groovy tune plays in a repetitive manner from 3.25 to 3.29 followed by hard core sufi rwak tune plays. Note its build up in a 3-step repetitive manner from 3.30 to 3.36 that gives HELL LOT of SIKE and gets the ADRENALINE FLOWING. Note the WICKED PATTERN of the tune from 3.36 to 3.37 after which the KILL EFFECT is delivered by heavy sufi-rwak instrument from 3.37 to 3.38. Uffff, HR is playing big time with listener's pulse, HISTORY, OFF-DA-HOOK CULT stuff this.
The ultimate KILL EFFECT happens from 5.18 to 5.20 that gives HELL LOT OF SIKE (HISTORY).
Julie the rhythm of my life - Julie (2004)
The AWESOME intense raga tune along with profound tabla beat pattern from start to 0.28, 1.45 to 1.54, 2.34 to 2.43 & 4.24 to 4.43
Sanam Mere Humraaz - Humraaz (2002)
The off-da-hook funky guitar riff from 4.00 to 4.03 in unplugged mode.
Kyun Kisi Ko - Tere Naam (2003)
The TERRIFIC 3 key descending tune sur followed by jingle chime effect from 4.10 to 4.11