At times, Himesh has used Arabic elements in his sound, citing the reason 'because it sells'.

Arabic tune pieces in the following songs:

> From 2.43 to 2.51 & 3.58 to 4.08 in AFSANA BANAKE from DIL DIYA HAI.

> From 2.22 to 2.33, in 1st stanza and in between 3.47 & 4.12 in 2nd stanza in KOYAMBEDU BENSU from BOMMALATTAM.

> From 0.33 to 0.39, 1.54 to 2.03, 3.22 to 3.28 & 4.04 to 4.20 in VA VA THALAIVA from BOMMALATTAM.

> From 0.39 to 0.43, 2.06 to 2.32, 2.50 to 2.52 & 3.02 to 3.06 in IMLI IMLI from BLACKMAIL.

> The theme piece from 0.21 to 0.41 and used intermittently throughout in RABBA LUCK BARSA from KAJRAARE.

> From start to 0.24 & 3.18 to 3.48 in WOH LAMHA from KAJRAARE.

> From 3.40 to 3.49 in TUJHE DEKH KE ARMAAN JAAGE from KAJRAARE.

> From 0.47 to 0.55 & 1.03 to 1.10  in SAAWARIYA BIN TERE JEENA (NO WAY NO WAY) from ANTHONY KAUN HAI.

> From 0.22 to 0.45 in I LOVE U 4 WHAT U R in AAP KI KHATIR.

> From 1.08 to 1.09 in CHEHRA TERA from YAKEEN.

> From 3.38 to 3.46 in DILLI KI SARDI from ZAMEEN.

> From 2.54 to 3.04 in GELA GELA from AAITRAAZ.

> From 2.28 to 2.38 in JUST CHILL from MAINE PYAR KYUN KIYA.

> From 3.31 to 3.38 in LAGA PREM ROG from MAINE PYAR KYUN KIYA.

Underlying Arabic beats in the following songs:

> From 2.33 to 2.43 & in AFSANA BANAKE from DIL DIYA HAI.

> The rwakin beats from 4.56 to end in VA VA THALAIVA from BOMMALATTAM.

Arabic beat effect/s in the following songs:

> Off-da-hook profound heavy 4 Arabic beat pattern from 0.30 to 0.31 and so on which gives kick.

Arabic croons in the following songs:

> From 2.33 to 2.43 & 3.48 to 3.57 in AFSANA BANAKE from DIL DIYA HAI.

> Himesh's middle octave vocal theme alaap OOOOO from start to 0.20 and used intermittently throughout in RABBA LUCK BARSA from KAJRAARE.

> From 0.04 to 0.09, 0.31 to 0.34 & 3.21 to 4.02 in WOH LAMHA from KAJRAARE.