At times, himesh used a trend whereby the semi plugged BUILD UP part along with tune piece is followed by underlying beat KILL effect...and before even da listener realizes, da song is already RWAKIN and FOOT TAPPING.
> The semi plugged beats along with retro tune from start to 0.15 is the BUILD UP part followed by da underlying rhythmic underlying beat with a good THUMP from 0.15 onwards which is da KILL effect in O MITRA VE from TOM DICK N HARRY.
> The wicked synthetic tune in semi plugged mode from 2.29 to 2.41 is the BUILD UP part followed by da underlying rhythmic beat from 2.42 to 2.50 which is da KILL effect in DILNASHEE from AASHIQ BANAYA AAPNE.
> The quick sythetic groovy tune piece in semi plugged mode from 3.52 to 3.59 is the BUILD UP part followed by da underlying rhythmic beat from 4.00 to 4.07 which is da KILL effect in LETS ROCK from ANTHONY KAUN HAI.
> The wicked synthetic tune in semi plugged mode from 3.20 to 3.35 is the BUILD UP part followed by da underlying rhythmic beat from 3.36 to 3.44 which is da KILL effect in TERE LAYEE from FOOL N FINAL.
> The bazz sound followed with a sufi tune in semi plugged mode from start to 0.15 is the BUILD UP part followed by da underlying rhythmic fluctuating calypso beat from 0.15 to 0.22 which is da KILL effect in LAGI CHOOTE NA from ROCKY - THE REBEL.
> The bazz sond in semi plugged mode from 0.38 onwards along with funky wicked male emphasis vocals COME ON that get the listener into da zone are the BUILD UP followed by the rwakin full on rwakin foot tapping beats from 0.53 onwards delivers the KILL effect along with female shout that gradually grows upon da listener and causes a rush of adrenaline in TERE SANG IK SIMPLE SI COFFEE from ZAMEEN.
> The electro tune with semi plugged live wire beats from 2.05 to 2.06 is the BUILD UP followed by electro tune along with full on underlying live wire beats from 2.07 to 2.13 which deliver the KILL effect in DIL LAGAYENGE from SHAKA LAKA BOOM BOOM.
Another similar trend he used is the rwakin semi-plugged Waltz beat for build up part (along with underlying bazz sound) in these songs:
> Rwakin semi-plugged Waltz beats from 0.56 to 0.59 & 1.50 to 1.52 for BUILD UP followed by male Punjabi energetic vocals HAI HAI followed by underlying full on rhythmic beats from 1.00 & 1.53 onwards for KILL EFFECT in AAKHIYON SE GAL KAR GAYI from SHAADI SE PEHLE.
> From 1.13 to 1.16 & 4.19 to 4.22 in JHALAK DIKHLAJA from AKSAR.
> From 0.10 to 0.14 n so on in BADI DILCHASPI HAI from 36 CHINA TOWN.
Himesh is a master of catching da listeners pulse by using such sahi desired effects i.e. semi plugged build up mode followed by full on underlying beat kill effect.