One of the traits of Himesh - the composer is prolonged twists-n-turns, and there are many different varities of them.

Himesh - the composer has an OFF-DA-HOOK trademark profound emphasis twist that he has used in the following songs:

In very simplistic graphical terms it would look like 

> KAH-AAAAAN (off-da-hook profound emphasis twist) from 1.01 to 1.03, 1.19 to 1.21 & 4.56 to 4.58 in CHUTKAN GANG from AABRA KA DAABRA.

> Himesh's line, SUKOON (off-da-hook profound emphasis twist) at 1.08, 1.47, 3.00 & 4.25 in JUNOON JUNOON from ROCKY- THE REBEL.

> Himesh's line, AAAAAN from 0.24 to 0.25, 0.28 to 0.29, 0.32 to 0.33 and so on in TERA MERA MILNA from AKA - THE MOVIEE.

> Udit's line, KEE - EEAAEE (twist) from 1.07 to 1.08 in NAZAR AA RAHA HAI from AITRAAZ.

> Himesh's line, ALLAH-AAAA from 3.14 to 3.15 in MASHA ALLAH from KARZZZZ.

>Female line, ALLAH-AAAA from 0.16 to 0.19 & 0.47 to 0.48 in MASHA ALLAH (FEMALE) from KARZZZZ.

>  Himesh's line,  SATAAYE -EEEEE from 1.15 to 1.16 & 4.19 DEHKU TUJHE TOH PYAAR AAYE from APNE.

Himesh has also used off-da-hook profound emphasis twists as repetitive hooks in:

> Himesh's line, JAAAA (off-da-hook profound emphasis twist) NEEE (off-da-hook profound emphasis twist) MANNNN (off-da-hook profound emphasis twist) from 0.14 to  0.19, 0.25 to 0.30, 0.48 to 0.52 & 1.00 to 1.05 in JAANEMAN from RADIO.

> Himesh's line, MERA DIL - LLLLL (off-da-hook profound emphasis twist) MERI JAAN - AAAAN (off-da-hook profound emphasis twist) AARMA - AAAAN (off-da-hook profound emphasis twist) in 0.34 to 0.43 & 1.08 to 1.18 in YAADAN TERIYAAN from DIL DIYA HAI.

> Himesh's line, TU HI TU HI DIL KA CHAAA (off-da-hook profound emphasis twist) AAIIIN...TU HI TU HI DIL KE PAAAA (off-da-hook profound emphasis twist) AAAAS from 2.13 to 2.17 in ARZOO from MR FRAUD.