Songs to showcase Himesh's off-da-hook deliberate prolonged nazal deepening effect that gives kick.

Himesh Reshammiya has always been accused of having a UBBER NAZAL TWANG in his high pitched Sufi Rwak vocals, something he initially denied but eventually accepted.

However, as a flip side of the coin, there is a positive for Himesh fans in the manner he uses this nazal effect as an asset.

In the following prolonged lines, he gradually gives that deliberate nazal deepening effect that gives tremendous kick to the listsner.

UUUUUUUUU from 2.24 to 2.26 in JHALAK DIKHLAJA from AKSAR.

TUUUUUUUU from 2.26 to 2.28 in NAAM HAI TERA from AAP KA SUROOR.

KEEEEEEEE from 4.33 to 4.35 in WOH LAMHA from KAJRAARE.

DHADKAN-NNNNN (deliberate prolonged nazal deepening effect) from 4.00 to 4.01 in MERE LAMHOO KI AARZOO from AAP KA SUROOR.

Himesh's most forceful high pitched singing with nazal twang is:

> His line, NAINA RE-EEEEEE from 1.16 to 1.22 & 3.28 to 3.32 in NAINA RE from DANGEROUS ISHQ.

> His line, KOSHISH KI MAINE BHULAANE KI TUJHKO, PAR DIL NA MAANE YEH SAMJHAAYE MUJHKO-OO-OO-OO-OO from 1.54 to 2.04 in KUCH TOH BAAKI HAI from MILENGE MILENGE.

it is highly advised n strongly recommended for Himesh fans not to attempt to sing these lines as they would sound funny, because they are a Himesh Reshammiya specialty.