Songs to showcase resonance in Himesh's vocals in certain pitch ranges.
There was once a rumor that Himesh Reshammiya's song Jhalak Dikhlaja from Aksar was capable of waking up the dead from their graves! Well, can't say about that claim.
But what makes Himesh a totally unique singer from the rest of da pack?
Well, there are many weapons in his kitty as a Sufi-Rwak singer.
But there is another by-product of his singing in the form of resonance in his tonal quality that occurs unknowingly by the way at certain pitch ranges.
The ADDITIONAL WHEEZ in the deliberate voice shake in high pitch from 2.33 to 2.36 in NAAM HAI TERA from AAP KA SUROOR.
The ADDITIONAL WHEEZ in da off-da-hook fulltu high pitched vocals KA - HAAAN from 4.16 to 4.18 in TERI MERI DOSTI KA ASMAAN from RADIO.
The ADDITIONAL WHEEZ in fulltu high-pitched line DIL DEKH - EEEEN from 3.05 to 3.06, 4.30 to 4.32 & 5.06 to 5.07 in CHAHE GILA KARO from AAP KA SUROOR.
The ADDITIONAL WHEEZ in high pitched lines ranjhna-AAAA (high pitched twist with echo effect) from 0.19 to 0.23, 0.27 to 0.30, 2.17 to 2.20 & 5.29 to 5.34, OOOOOOOO (high pitched prolonged alaap) from 0.46 to 1.00, 2.21 to 2.36 & 5.35 to 5.49 in RANJHNA from NANHE JAISELMER.
The ADDITIONAL WHEEZ in repetitive high pitched lines YA ALI from 1.37 to 1.45, 2.42 to 2.50 & 4.03 to 4.20 in YA ALI from AKS - THE MOVIEE.
The VOICE THICKENING in the middle octave alaap at 1.34 in O JAANA LOVE U MISS U from ROCKY - THE REBEL.
The VOICE THICKENING in prolonged twisted high pitched line BHAAR from 2.52 to 2.55 in WOH LAMHA from KAJRAARE.
As a matter of fact, when these following parts are heard in isolation without adjacent lines...the vocals do not even sound like that of a human rather than a strange Alienish sound, such is the power in Himesh's vocals!
This resonance generally occurs in the off-da-hook tonal quality caused as a result of sharp knife-edge vocals in middle-to-high pitch.
Well, don't be surprised if Himesh's Sufi-Rwak vocals are used as a special frequency to establish a link / connection with the outer space or are used to guide down planes safely to their destinations [fun intended]!
Once upon a time, there was a rumor that Jhalak Dikhlaja was causing spirits to attack villagers. Can't say anything about that, but can definitely can give some evidence of a high pitch frequency that can make contact with aliens up there.
At times, due to the particular high pitch range, there is an ADDITIONAL WHEEZ in Himesh's Sufi Rwak voice caused due to resonance:
> KA-HAAAAN (additional wheez) from 4.16 to 4.18 in TERI MERI DOSTI KA AASMAN from RADIO.
> RANJHNA - AAAA (additional wheez) from 0.20 to 0.22, 0.27 to 0.30, 2.17 to 2.21, OOOOOOO (additional wheez) from 0.46 to 1.01, 2.22 to 2.37 in RANJHNA from NANHE JAISELMER.
> DEK-HEEEN (additional wheez) from 3.05 to 3.06 & 4.31 to 4.32 in CHAHE GILA KARO from AAP KA SUROOR.
> YEEE-EEEEE (additional wheez) from 2.34 to 2.37 in NAAM HAI TERA from AAP KA SUROOR.
This X-factor in his tonal quality is one of the unique reasons (along with many others) as to why Himesh Reshammiya will be remembered as the greatest singers ever.