A sufi rwak composition is incomplete without a sufi-rwak singer who can only do justice to it.

This genre is specialized and not for every tom, dick n harry.

It requires unconventional singing which is way apart from the typical Indian nom.

Himesh reshammiya achieves this "so-called deliberate" ustad style singing by following 2 elements:

1. A hell lot of emphasis in pronounciation of lyrics.

2. Forced "rawness" in his voice that just rwaks.

Ahista Ahista - Ahista Ahista (2006)

Ustad himesh reshammiya's lines:

HAAI from 0.33 to 0.34, 0.37 to 0.38, 0.41 to 0.42

HUE from 0.49 to 0.51

HAAI from 1.11 to 1.12

AAA-HISTA from 1.35 to 1.36

HUE from 1.44 to 1.45, 1.59 to 2.00

AAA-HISTA at 2.18

HAAI from 3.20 to 3.21

HUE from 4.57 to 4.58

Aap Ki Kashish - Aashiq Banaya Aapne (2005)

Ustad Himesh Reshammiya's lines:

HAAI from 1.08 to 1.09

HAAI from 1.33 to 1.34

HAAI at 2.22

HAAI from 2.39 to 2.40

Laagi Chute Na - Rocky (2006)

Ustad Himesh Reshammiya's lines:

JAANIYA from 1.06 to 1.07

MAAHIYA from 1.16 to 1.17

JAANIYA from 1.26 to 1.27

MAAHIYA from 1.32 to 1.33

JAANIYA from 2.01 to 2.02

MAAHIYA from 2.07 to 2.08

ROOH at 2.55

AAFSA-RNA from 3.03 to 3.04

JAANIYA from 3.12 to 3.13

MAAHIYA from 3.18 to 3.19

AAFSA-RNA from 4.17 to 4.18

JAANIYA from 4.27 to 4.28

MAAHIYA from 4.33 to 4.34

Teri Yaad Bichake - Rocky (2006)

Ustad Himesh Reshammiya's lines:

FURQAT KI 1.33 to 1.36, 4.43 to 4.47

Ulfat - Nanhe Jaiselmer (2007)

Ustad Himesh Reshammiya's lines:

ULFAT ULFAT from 0.44 to 0.46, 0.51 to 0.53

RUBARU from 1.14 to 1.15

HAAH at 5.12

MERI from 5.31 to 5.32

Chahe Gila Karo - AKS (2006)

Ustad Himesh Reshammiya's lines:

HAAI at 2.33, 2.45

Namumkin - SLBB (2007)

Ustad Himesh Reshammiya's lines:

HAAI at 1.10, 2.00, 3.13, 3.29, 4.38, 5.06 & 5.19