In certain songs, Himesh has made great use of underlying fluctuating bazz voltage sound in da background, mostly throughout da song:

> In AASHIQUI ME TERI from 36 CHINA TOWN.

> In NAAM HAI TERA from AAP KA SUROOR.

> In TANHA TANHA from FEAR.

> In DIL TUMHARE BINA from 36 CHINA TOWN (especially comes to da party from 2.01 to 2.18 and in da stanzas).

> In JHALAK DIKHLAJA from AKSAR.

> In KAJRAARE TITLE TRAX (comes to da party from 2.50 to 2.56 in 1st stanza & from 3.50 to 3.56 in 2nd stanza).

> In BADI DILCHASPI from 36 CHINA TOWN.

> In ISHQ KIYA KIYA from ANTHONY KAUN HAI.

> From 0.39 onwards in SONIYE from AKSAR. 

> From 0.51 onwards in TANHA TERE BAGAIR from AHISTA AHISTA.

Hence, these vibrant fluctuating bazz voltage effects enhance da underlying groove of da song.

After all, when da listener feels da underlying bazz, then they come into da song's zone and feel it.