At times, Himesh - the post ABA composer makes use of particularly styled drum hit patterns in his music arrangement.

The imaginative visual scenerio is that there are a large vareity of drums of all shapes n sizes whereby his musicians test them out, thus creating a random off-da-hook drum hit pattern.

This gives a sahi desired / intermittent effect courtesy of da manner in which these drum hit, as if da listener was just waiting them to be hit at that particular point in the overall context of the associated lines.

Songs where this off-da-hook drum hit patterns having a similar trend were used are:

> From 2.18 to 2.21 & 3.34 to 3.37 in DIL TUMHARE BINA from 36 CHINA TOWN.

> From 1.22 to 1.25 & 4.26 to 4.29 in O JAANA LOVE U MISS U from ROCKY - THE REBEL (an effect similarly used from 2.18 to 2.20 & 3.45 to 3.47 in AHISTA AHISTA DIL MEIN AAIYE from SILSILAY).

> From 0.57 to 0.59 in MANGO from DAMADAMM.

> From 1.12 to 1.15 in JAB KABHI from 36 CHINA TOWN.

> From 1.00 to 1.02 & 1.34 to 1.36 in TANHIYAAN from AKS - THE MOVIEE.

> From 1.31 to 1.34 in AASHIQ BANAYA AAPNE TITLE TRAX.

> From 3.54 to 3.56 in LAGI LAGI from AKSAR.

> From 1.43 to 1.45 & 2.14 to 2.16 in BECAUSE I LOVE U from ANTONY KAUN HAI.

> From 2.11 to 2.13 in LUT JAUN from KARZZZZ.

> From 3.46 to 3.49 in DHOOM TERE ISHQ KI from KARZZZZ.

Other places where Himesh the post ABA composer has made exceptional use of drums are:

> In OODHNI from TERE NAAM, Himesh made exceptional use of OFF-DA-HOOK profound heavy traditional drums in between both stanza gaps from 2.49 to 3.13 & 4.10 to 4.24 that gives TREMENDOUS KICK i.e. off-da-hook profound heavy drum hit pattern at 3.01, 3.03, 3.05, 3.07, 3.09 and so on after every 2 sec gap that gives tremendous kick in between 1st stanza, and off-da-hook profound heavy quick reverse skip drum pattern from 4.22 to 4.24 that gives tremendous kick in between 2nd stanza gap.

N.B. = In between 1st stanza gap of OODHNI, where there is the HISTORIC male alaap OOOOO OOOOO followed by HISTORIC emotional feel bansuri piece, there are OFF-DA-HOOK profound heavy drum hits in the backdrop. The way these drum hits are SYNCED with the alaap and flute piece, shows that it is not just about a historic compositional tune piece, but also a mastery and terrific music sensibilities of a composer (i.e. Himesh) of how to top it up with the perfect ideal music arrangement it requires, which increases its listening impact manifolds.

> Off-da-hook raw drum hit pattern from 2.07 to 2.08 & 3.12 to 3.13 in HONEY HONEY from TERA MERA DIL.

> Off-da-hook drum hit pattern from 1.23 to 1.24 in TERA TASAVUR from TERA MERA DIL.

> Off-da-hook raw drum beats from 0.41 to 0.43 hit it da Caribbean kabana style in YUN TOH MERA DIL from DAMADAMM.

> Off-da-hook drum skip pattern from 1.57 to 1.58 & 3.11 to 3.12 in TERE LIYE from SHAADI SE PEHLE.

> Profound heavy drum hit from 1.00 to 1.01, 1.38 to 1.39 & 2.05 to 2.06 in KAJRA KAJRA KAJRAARE that gives TREMENDOUS KICK.

> Off-da-hook profound heavy drum hits from 1.56 to 2.20 in NAHI HONA from RUN.

> From 1.46 to 1.48 in RABBA LUCK BARSA from KAJRAARE.

> Off-da-hook profound heavy drum hit from 0.44 to 0.45, 1.36 to 1.37 & 1.57 to 1.58 in MAIN DEEWANA from VAADA.

> From 1.41 to 2.01 & 2.24 to 2.44 in TADAP TADAP from DARLING.

> Quick repetitive drum hits from 0.30 to 0.32 in SHABE FIRAQ from CHUP CHUP KE.

> Quick repetitive drum hits from 1.19 to 1.21 in KUCH TOH BAAKI HAI from MILENGE MILENGE.

> Quick drum hit pattern from 0.33 to 0.34 in AAYA RE from CHUP CHUP KE.

> Two heavy drum hits from 0.38 to 0.39 in ULFAT from NANHE JAISELMER.

> Quick heavy drum hit pattern from 4.43 to 4.48 in JAB KABHI from 36 CHINA TOWN.

> Profound heavy laidback drum skips from 2.39 to 3.07 & 4.23 to 4.50 in HUM TUM from DAMADAMM.

> Quick heavy raw drum hit pattern from 1.22 to 1.24, 1.55 to 1.56 & 4.59 to 5.00 in TUNE MERA CHAIN VAIN from ANTHONY KAUN HAI.

Underlying beats where Himesh the post ABA composer has made exceptional use of drums are:

> Underlying raw profound drum hit pattern in TERE BINA from DAMADAMM.

> Underlying profound laidback drum hit pattern with thump effect in TUJHE BHOOL JAANA from AAP KA SUROOR and DEKHU TUJHE TOH PYAR AAYE from APNE.

> Off-da-hook fast paced drum hits from 1.15 to 1.16 & 1.58 to 1.59 that give kick, off-da-hook profound drum hits from 3.52 to 4.10 in between 2nd stanza gap & off-da-hook profound heavy drum skip pattern from 5.40 to 5.59 in LAGAN LAGI from DANGEROUS ISHHQ.