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Music review analysis of HISTORY unreleased medley from SLBB (2007) movie.
 

http://www.dailymotion.com/video/k380TzfPCE9hzYc92K#from=embed?start=468

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Play from 4.39 to 7.49

Himesh puts his heart and soul (and so do all the male singers) into this history medley which totally connects with the listener.

The male singer's alaap HMMMM (history halke se feel twist) from 4.43 to 4.44, LAA (history halke se feel twist) from from 4.52 to 4.53, LA-AA (history low twist) AAAA (history prolonged subtle feel) from 5.00 to 5.02, LAAA - AAAA (awesome 2 step profound descending twist) from 5.05 to 5.07, LAAA (awesome up note) from 5.12 to 5.13, HEE * 5 (awesome feel) from 5.14 to 5.17

The underlying continuous tune sur gives terrific overall effect, with emphasis from 5.02 to 5.04

Feel good pre-ABA guitar riffs play in between 4.41 & 5.19 give great interlude to male vocals.

The male singer's line, MEEE (history classical twist) from 5.40 to 5.41, KAISE (history classical twist) from 5.42 to 5.43, FASANA (history quick profound classical twist) AAAAA (history desperation plea) from 5.46 to 5.48, SANDEESH - ESH (terrific 2 step descending twist) from 5.52 to 5.54, YE SANDESH (awesome feel) ESH (terrific up note) from 5.54 to 5.59

Feel good pre-ABA guitar riffs play in between 5.39 & 6.00 give great interlude to male vocals.

Shaan's lines, TERE (history high-pitched desperation plea twist) BINA MEIN REH (history high-pitched desperation plea twist) NAHI PAAU from 6.35 to 6.37, HAAL (terrific feel) from 6.38 to 6.39, KEH (history high-pitched desperation plea twist) from 6.40 to 6.41

The quick piano flicks from 6.46 to 6.58 give terrific intermittent effect.

Shaan's lines, PIYA GAYE (history subtle feel) from 6.59 to 7.01, PAR (history halke se feel) DES from 7.02 to 7.05, HO (terrific profound middle octave) PIYA (awesome quick up twist) GAYEE (awesome feel twist) from 7.06 to 7.09, PARDES (terrific prolonged sooth feel) from 7.10 to 7.13

Shaan line, PARDEEEEEEEEES (terrific high-pitched rising desperation plea alaap) from 7.14 to 7.18, PARD - EE (awesome desperation plea voice rise) from 7.26 to 7.27, EEEEE (terrific high pitched prolonged) EE - EE - EE - EE (terrific desperation plea voice shake) from 7.28 to 7.31, EEEEEEE (terrific up down subtle feel notes) from 7.35 to 7.38, PIYA GAYEE (awesome prolonged feel) from 7.40 to 7.40, PAR (history halke se feel) DES from 7.45 to 7.48

Feel good pre-ABA guitar riffs play in between 6.34 & 7.48 give great interlude to male vocals.

The history subtle feel hooks YEH SANDESH from 5.52 to 5.57 & PARDES from 7.02 to 7.04 & 7.10 to 7.12 & 7.44 to 7.48 have a similar feel to the history subtle feel hook JAANEMAN in between 1.07 & 1.18, 1.46 & 1.57 in the line...tenu dil vich rakh lu JAANEMAN in JUST WALK INTO MY LIFE from MAIN AISA HI HOON.

Each n every composition note and vocals in this melody is history, whereby HR the -pre ABA composer is at his ultimate best.

Such are the melodies due to which no other composer can ever dream of coming close to typical unique HR melody which is just in a different untouchable league.

It is really a pity and shame that such a history composition wasn't even part of the OST, forget even the full version because leave alone aam junta...even many Himesh fans may not have heard this masterpiece till date.