At times, Himesh - the PRE ABA composer used  "quick emphasis typical unique HR melody twist" which was his distinctive trademark trait and very typical of him.

The parts in these songs have this similar trend:

> Alka's line, PYAR AA (quick emphasis typical unique HR melody twist) YA from 2.38 to 2.39 in KABHI NA SUKOON AAYA from KOI AAP SA.

> Alka's line, HAI (quick emphasis typical unique HR melody twist) from 3.36 to 3.37 in GONNA FALL IN LOVE from TAARZAN - THE WONDER CAR.

> Alka's line, PAL (quick emphasis typical unique HR melody twist) from 2.44 to 2.45 in YEH DIL TOH MILA HAI from DIL NE JISE APNA KAHA.

> Alka's line, PAL (quick emphasis typical unique HR melody twist) from 4.21 to 4.22 in AA JEELE IK PAL MEIN SAU JANAM from KYON KI.

> Alka's line, HO (quick emphasis typical unique HR melody twist) from 1.18 to 1.19, AA (quick emphasis typical unique HR melody twist) ASHNA from 1.21 to 1.22 in DHADKAN HO GAYEE from JULIE.

Other examples of quick emphasis typical unique HR melody twist:

> Alka's line, CHAND - NIII (quick emphasis typical unique HR melody twist) at 2.42, ROSHNI - IIII (quick emphasis typical unique HR melody twist) at 2.51, ISSE (quick emphasis typical unique HR melody twist) at 4.32 in SARKE CHUNARIYA RE from RUN.

> Shaan's line, BAS TUM KO SOCHU (quick emphasis typical unique HR melody twist) from 2.33 to 2.35, and Alka's line, BAS TERE HI (quick emphasis typical unique HR melody twist) from 3.34 to 3.36 in CHURA LO VERSION 1 from TAARZAN - THE WONDER CAR.

> Udit's line, AALAM HAI BAS TERI (quick emphasis typical unique HR melody twist) from 2.34 to 2.35, and Alka's line, PUCHO NA HAALE DIL MERA (quick emphasis typical unique HR melody twist) from 3.34 to 3.36 in CHURA LO VERSION 2 from TAARZAN - THE WONDER CAR.

> Alka's line, KYA TUJHME JOH (quick emphasis typical unique HR melody twist) from 3.40 to 3.42, INTEHA CHAAHAT KYUN (quick emphasis typical unique HR melody twist) from 3.48 to 3.50 in TERE AANE SE from RUN.

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