At times when Himesh - the post ABA composer has already drawn da skeleton of his musical notes and wants to add meat to them in form of music arrangement, and he is in his music recording studio selecting and organizing da instruments to be used, he says to himself "Ok, now I am going to absolutely KILL IT and HIT IT REAL GOOD / HARD in this one".

Actually da word "Rwak" in his Sufi-Rwak compositions comes from da fact that he uses heavy orchestration.

Below are da songs in which Himesh has 'nailed it down to da T':

In terms of overall heavy underlying beat pattern whereby da listener waits for da hit effect:

The underlying heavy beat patterns that spin in an off-da-hook repetitive loop in Kajraare Title Trax n Khiladi Bhaiya are amongst HR's ultimate best ever beat patterns used since his debut till date.

> In KHILADI BHAIYA - OFF-DA-HOOK heavy beat pattern that spins in a repetitive loop along with profound heavy intermittent drum hits.

> In KAJRA KAJRA KAJRAARE - The underlying heavy beat pattern that SPINS IN AN OFF-DA-HOOOK REPETITIVE LOOP from 1.23 onwards is Himesh's BEST EVER heavy beat pattern in post ABA era till date! just hear it ROLL! It gives HELL LOT OF SIKE from 1.47 to 1.48. The profound heavy DRUM HIT from 1.00 to 1.01 & 1.38 to 1.39 gives TREMENDOUS KICK. The song has HISTORY heavy orchestration. This song is meant to be played at full blast to test out da woofers, with path breaking HEAVY orchestration by Himesh - the composer whereby he rwaked it n hit it really good in his music room during its song recording.

> AAYE RE AAYA BODYGUARD - The LAIDBACK RHYTHMIC part from 0.08 to 0.45 which marks da grand entry / intro of Salman Khan as BODYGUARD, and gives JAZBA to da listener / viewer in da process. It consists of RWAKIN underlying heavy laidback rhythmic beat from 0.19 onwards, followed by OFF-DA-HOOK wicked funky guitar riffs from 0.38 to 0.44 which is basically CULT stuff whereby Himesh shows just how to HIT IT, and whereby da listener gets SIKED UP n FEELS IT BIG TIME.

> TANHA TERE BAGAIR from AHISTA AHISTA - The repetitive HARD hit pattern of da underlying beat.

> DIL DE DIYA SEENE SE NIKAL KE from PHIR HERA PHERI - The repetitive HARD hit pattern of da underlying beat (which is similar to TANHA TERE BAGAIR).

> TANHA JIYA NA JAAYE from TOM DICK N HARRY - The repetitive hit pattern of da underlying beat.

> AARZOO AARZOO from MR FRAUD - The repetitive LIVE WIRE hit pattern of da underlying beat i.e. after each second interval.

> CHAKNA CHAKNA from NAMASTEY LONDON - The fast heavy drum-roll beats from 0.19 to 0.21 & the quick repetitive ending beat effect from 0.22 to 0.24, 0.25 to 0.27 and so on.

> DILNASHEE DILNASHEE from AASHIQ BANAYA AAPNE - The underlying beat pattern.

> ULFAT ULFAT from NANHE JAISELMER - The repetitive hit pattern of underlying beat.

> MERI AAWARGEE from GOOD BOY BAD BOY - The underlying beat pattern with a retro live-wire fluctuating voltage sound.

> LOVE U SAYYONI from AAP KA SUROOR - Underlying profound heavy dhol hit pattern.

> VEERENIYAAN from NAMASTEY LONDON - Underlying laidback that hits it hard.

In terms of heavy instruments:

> KOLA LAKA VELLARI from WELCOME - Off-da-hook heavy instrument from 0.25 to 0.26 & 3.37 to 3.38 giving da effect of a heavy machinery equipment falling on da floor pavement with a quick bounce effect. Off-da-hook heavy instrument from 5.18 to 5.20 that gives HELL LOT OF SIKE.

> AHISTA AHISTA TITLE TRAX - Off-da-hook quick heavy instrument from 4.14 to 4.15 that gives sahi desired effect.

> MILE HO TUM TOH from DIL DIYA HAI - Off-da-hook quick heavy hits from 1.21 to 1.23 followed by rhythmic beats from 1.23 to 1.36

> MASHAH ALLAH from KARZZZZ - additional heavy beat hits from 1.28 to 1.39

> JHALAK DIKHLAJA from AKSAR - Da fast DRUM-ROLL beats from 1.16 to 1.17 & 4.22 to 4.23 that gives TREMENDOUS KICK.

> ISHQ KIYA KIYA from ANTHONY KAUN HAI - Da fast DRUM-ROLL beats from 0.55 to 0.57 that gives TREMENDOUS KICK.

> HARI OM from KARZZZZ - heavy drum hits from 1.35 to 1.58 and the fast drum-roll beats from 0.46 to 0.47 that give KICK.

> AAP KI KASHISH from AASHIQ BANAYA AAPNE - Metal bazz guitar from 1.15 to 1.17 & 1.24 to 1.26 & 1.28 to 1.30 that ROARS / BREEZES THRU and gives sike. The quick heavy raw drum beat effect from 5.22 to 5.24, and heavy instrument from 2.32 to 2.33 & 4.18 to 4.19

> AFREEN TERA CHEHRA from RED - Off-da-hook quick heavy hit effect from 1.56 to 1.57

> SISAK SISAK KE from KARZZZZ - Off-da-hook raw heavy drum hit / skip pattern from 2.53 to 2.55, 3.46 to 3.48 & 4.12 to 4.12

> WOH LAMHA PHIR SE JEENA HAI from KAJRAARE - Off-da-hook raw heavy drum hit / skip pattern from 0.24 to 0.26 that gives sahi desired effect.

> TU HAI KAMAAL from AAP KI KHATIR - Quick heavy beat pattern from 1.00 to 1.02 & 1.43 to 1.45 that just zips through left to right. Heavy drum hits from 1.24 to 1.25 & 2.04 to 2.05

> TANDOORI NIGHTS from KARZZZZ - Off-da-hook heavy fast drum-roll beats from 0.32 to 0.33 that give sahi desired effect and KICK.

> TERE LAYEE from FOOL N FINAL - Off-da-hook single heavy drum hit at 3.28, 3.35 & 3.43

> SIGDI from FOOL N FINAL - Off-da-hook quick heavy dhol skips in between 3.26 & 4.00

> SONIYE JE TERE from KARZZZZ - Off-da-hook heavy repetitive quick instrument from 0.30 to 0.31

> TERA MERA MILNA from AKS THE MOVIEE - Quick heavy beat effect from 3.51 to 3.52 followed by repetitive heavy drum hits at intervals of 3.53, 3.55, 3.57and so on until 4.05

> O MITRA RE from TOM DICK N HARRY - Off-da-hook retro bazz sound in semi-plugged mode from 0.07 onwards followed by THUMP hit pattern from 0.15 onwards.

> ULFAT from NANHE JAISELMER - Two heavy drum hits from 0.38 to 0.39

> SACHE AASHIQ from SHADI SE PELHE - Off-da-hook fast drum-roll beats from 2.06 to 2.07 & 3.21 to 3.22

In terms of heavy instruments (pre ABA):

> AADAT HO CHUKI from KOI AAP SA - the whoosh instrument from 1.36 to 1.38 & 2.09 to 2.11 that sets da adrenaline flowing (just hear it roll!). It is like heavy duty machinery in a manufacturing plant, blast furnace or a roller blade that rotates & makes a whooshing sound when an attached string is pulled with mighty force!

> MAINE CHUN LIYA from DIL MAANGE MORE - The quick set of beats (first set of lighter tabla hits are the BUILD UP part and second OFF DA HOOK set of heavier drum hits give da KILL EFFECT and TREMENDOUS KICK thus causing an ADNERALINE RUSH) from 0.48 to 0.51, 1.08 to 1.10, 2.54 to 2.56 & 4.46 to 4.48 were similarly used

> UUD UUD JAAYE from VAADA (his one n only Sufi Rwak 'composed only' song in pre ABA era) - The quick set of beats (first set of lighter tabla hits are the BUILD UP part and second OFF DA HOOK set of heavier drum hits give da KILL EFFECT and TREMENDOUS KICK thus causing an ADNERALINE RUSH) from 0.47 to 0.50, 1.20 to 1.22, 2.42 to 2.45 & 4.10 to 4.12 in UUD UUD JAAYE from VAADA.

> BELIBAAS from SILSILAY - The quick hit pattern from 0.57 to 0.59 that gives kick.

While he is slowing but surely incorporating heavy rock elements into his music with changing trends-n-times (especially after pre ABA era), it will be good to hear some cutting-edge new-age modern contemporary TECHNO / TRANCE instrumentals in Himesh Reshammiya's forthcoming debut international album @ Da Edge!

3 HR songs that have raw 'messy' arrangement

> Jhoot Nahi Bolna from AKS - The Moviee
> Ranjhana from Nanhe Jaiselmer
> Shabe Firaq from Chup Chup Ke

 

 

Joomla! Debug Console

Session

Profile Information

Memory Usage

Database Queries