According to da requirement of scripts, Himesh has a penchant for coming up with 'shaadi/celebration' songs that form situational backdrop of 'dulhaniya ki vidaai / send off of da bride' with lyrics beefed with doses of Mehndi, Bindiya, Kangna, Joda, Teeka, Kaajal, Shingaar and da like.

Some of Himesh's songs in this genre are:

> Dhin Tara from Kahin Pyar Na Ho Jaye (2000).

> Sajna Tere Pyar Mein from Kya Dil Ne Kaha (2002).

> Bindiya Chamakne Lagi from Dil Ne Jise Apna Kaha (2004).

> Sache Aashiq from Shaadi Se Pelhe (2006).

> Jhoot Nahi Bolna from Aap Ka Suroor - The Moviee (2007).

> Ye Hare Kaanch Ki Chudiyaan - Milenge Milenge (2010).

But da BEST of these songs in this genre is Dhin Tara from KPNJH (2000) which is picturized on none other than Himesh's mentor who gave him a break as a composer i.e. Sallu Mia.

It is a rhythmic catchy composition whereby 'typical unique HR melody' in da OST is in:

> Sanu's line, PAR TERA DIL MERI BANO HAI from 1.05 to 1.07 & 1.27 to 1.30, AN (OFF-DA-HOOK feel good high pitched melody) MOL at 1.08 & 1.31

> Sanu's line in 1st stanza, YEH SHINGAAR (terrific profound down twist) YEH HIKHAAR (terrific profound down twist) YEH MILAN (terrific profound down twist) KA GHUMAAR (terrific profound down twist) from 2.36 to 2.44

> Sanu's line in 2nd stanza, RAB SE HAI (terrific profound down twist) YEH DUA (terrific profound down twist) KHUSH RAHE (terrific profound down twist) TU SADA (terrific profound down twist) from 3.56 to 4.04

 

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