One of the compositional trait of Himesh - the post ABA composer is prolonged twists n turns, whereby he croons a prolonged line and then caps it off with twists to add the finishing effect.

However, he also uses catchy short quick profound emphasis twists as an INTERMITTENT VARIATION in his composition notes to express that desperation feel factor, and these twists stand out in terms of the overall tune.

> His line, DIKHLAJA - AAA (terrific quick profound emphasis twist) from 2.01 to 2.02 in JHALAK DIKHLAJA from AKSAR.

> His line, RAATE-EEIN (terrific quick profound emphasis twist) from 2.22 to 2.23 in TERA SUROOR from AAP KA SUROOR. 

> His lines, MEIN - EEN (terrific quick profound emphasis twist) from 2.24 to 2.25, NAZRE-EEIN (terrific quick profound emphasis twist) from 3.55 to 3.56 in NAAM HAI TERA from AAP KA SUROOR.

> His line, BANAYA - AAA (terrific quick profound emphasis twist) from 0.59 to 1.00, 1.40 to 1.41, 1.50 to 1.52 & 5.32 to 5.33 in AASHIQ BANAYA AAPNE TITLE TRAX.

> His line, REHNA - AAA (terrific quick profound emphasis twist) from 0.38 to 0.40 in CHAHE GILA KARO from AAP KA SUROOR.

> His lines, AAAA (terrific quick profound emphasis twist) from 0.26 to 0.27, HAI AAI (terrific profound quick emphasis twist) from 4.24 to 4.25 in AHISTA AHISTA TITLE TRAX.

> His line, HAI - AAI (terrific quick profound emphasis twist) from 4.00 to 4.02 in ROCKY ROCK THE WORLD from ROCKY - THE REBEL.

> His line, TERA-AAA (terrific quick profound emphasis twist) from 0.51 to 0.52 in YAHI HOTA HAI PYAAR from NAMASTEY LONDON.

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