One of the trademark compositional trait of Himesh the post ABA composer is to compose notes with sudden abrupt quick twists, whereby Himesh the singer does full justice to them by giving kick to da listener.

These are lines where this kick is felt (in overall context of associated lines):

> HAI - AAI (sudden abrupt quick twist that gives kick) from 1.18 to 1.19 in KUCH TOH BAAKI HAI from MILENGE MILENGE.

> JAAGE - EEE (sudden abrupt quick twist that gives kick) from 0.38 to 0.40, LAA - GE (sudden abrupt quick twist that gives kick) from 0.46 to 0.47 in TUJHE DEKH KE ARMAN JAAGE from KAJRAARE.

> PARCHAIYA - AAA (sudden abrupt quick twist that gives kick) from 0.26 to 0.27 in AHISTA AHISTA TITLE TRAX.

> ALLAH - AAA (sudden abrupt quick twist that gives kick) from 0.13 to 0.14 in MASHAH ALLAH from KARZZZZ.

> HAAAI (sudden abrupt quick twist that gives kick) from 0.03 to 0.04 & 0.12 to 0.13 in DIL LAGAAYENGE from SHAKA LAKA BOOM BOOM.

> FASAANA - AAA (sudden abrupt quick twist that gives kick) from 1.42 to 1.43 in NAMUMKIN from SHALA LAKA BOOM BOOM.

> LADAAYE - EEE (sudden abrupt quick twist that gives kick) from 2.22 to 2.24 & 2.28 to 2.29 in DAMADJEE from RADIO.

> GAYA - AAAAAA - AAA (sudden abrupt quick twist that gives kick) from 3.43 to 3.44 in SANU GUZRA ZAMANA from KAJRAARE.

> KAJ - RAAAARE (quick rising twist that gives kick) from 1.13 to 1.14, 1.16 to 1.17 and so on in KAJRA KAJRA KAJRAARE.

 

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